TELLING IT LIKE IT IS

I may be repeating myself here. I found this essay on my computer, and it’s mostly about my novel, which I’ve been writing about too often and will remain my obsession until I start another one. I’ve finished three book reviews and two short stories recently, found a draft of one that is a long way from being finished but I’m working on it, and two collections of short stories that I might send out. And the novel.

For the first couple of years she lived with us, our dog Yeti, a Saluki, never barked. And then one predawn, she “boofed.” She was standing on her personal oversized ottoman at the front window looking down at the garden. Outside the gate, a coyote was looking up at her. Since then we know the coyotes are around, but they are generally hidden. We recognize their footprints in the sand. [Larger and light and the toenails rarely make marks.] We saw her [the coyote in the photo] on our walk. Our friend said, “Whose dog is that?” No dog.
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REMIND ME

The last word.

You write. You submit. You wait. You are rejected.

Only that first verb matters. Remember that. Keep going.

You write. You submit. You wait for rejection. It is tempting to believe in failure, that rejection is deserved, that it is right.

Every creative person knows this process of making and reworking and finishing, and then sharing and waiting and hoping for appreciation. We all know disappointment. Those of us in MFA programs, those sitting alone behind a desk, with a notebook on our lap, everyone with a dream of finding an audience, even those with an audience waiting and eager to read our words. We focus on we have to share, bring on every skill we have practiced, but fear our audience will not remain seated. Even our mother will lose interest. 

We envy people who never doubt. We doubt.

It is tempting to believe that others never doubt themselves, that someone somewhere is writing better stories and essays and poetry, that readers respond with the same passion that writer felt while writing, that their work is snapped right up. And maybe you’ve had work that was snapped right up. Maybe you have published poetry or fiction or essays that someone somewhere told you they loved. Maybe they even told you why. Or maybe they never did. Not once. 

Either way, you doubt. You write. You submit. You wait. You are rejected. Each time you start over. You want to believe others are not good enough, but you are perfect, and then hubris drops its calling card and you know you are lost. Envy scars your work, plants its ugly face between you and what you love.

It is tempting to believe that maybe this rejection is all you have, that the essay or memoir or poem or story you wrote isn’t good enough. You should revise it, set it aside for a time and revisit it, rearrange the paragraphs or stanzas, make a stronger opening, invent a new word, wrap your thoughts in metaphor or scene, reconsider what you think you are writing about. Maybe you thought this piece was about love and really it’s about hope or loss or—heaven help you—giving up.

It is tempting to give up.

You write about giving up. You write until you find the next story or scene, the new essay or poem. You find a line or a single word. And then you fall right back into writing. Hours go by, and you laugh at the memory, the paradox, the irony written before you, the odd turn of phrase, the way a character or idea does something you hadn’t expected. You might cry when you find your own blood staining the page, or laugh all over again from pure glory. You polish the line until you realize it is too shiny and you must allow the next line to shine brighter. Hotter. You might stay up too late, revise those lines a hundred times, stir that emotional pot while it boils. You might get burned, but even the rising steam belongs to you. You work with sound until the words reveal what you knew all along. You have something to say. 

You glow with effort and accomplishment. You said it, you wrote it, you made it clear on the page. Hold on to this. You hold on.

You write. You submit. You wait. You are rejected.

Repeat. Repeat. Repeat.

The response you are waiting for does not arrive.

It is tempting to believe you are wasting your time and your energy and your very heart on an endeavor that you were never meant to pursue. You want to believe that someone somewhere needs your words. You fear you are wrong. It is tempting to believe you will never write better than this. Maybe, you think, I should stop. You are not good enough. Maybe it is a delusion to trust your words matter to anyone anywhere. Maybe it was never important, what you write and try so earnestly to share. You do not have it, whatever it is that is found wanting.

You want it.

It is tempting to decide that laughter —yours—and tears—yours—are small things. They’re not. It is tempting to dismiss your accomplishment. It towers over your head, this dismissal. It is a momentous thing like sliding off a mountain peak. When you found the right word, the right sound, the piece that finally fits—there is triumph in that instant before you begin to doubt.

Remember. You have struggled. You have discovered. You have created a new thing entirely your own.

Remember the process, the laughter and tears and precision. Maybe you forgot that it was the writing you loved best of all. Maybe you forgot why it matters most of all.

You wrote this. It is yours. It is important to you.

Remember that precious verb: write. Set aside submitting, waiting, rejection. Maybe those next three verbs give you nothing good, only judgment and disappointment. You are better than that. 

Only that first word is good for us. We deserve to write. We need to have the last word about the value of our work.

Write.

MY BEST TIME

My best time was eight minutes and some seconds per mile (maybe more than thirty, but not much) over highway hills in the rain. I was a lot younger then, had been training for a half marathon in Seattle, and that fast run on steep hills resulted in injury.

But that’s not what we meant, is it?

We want my best time on vacation or during sex, or whatever. My best time as a writer. My best time writing or weaving or knitting or playing with my children.

Sunsets are always pretty. We like the magenta and orange ones but also the palest gilt edges under horizon clouds.
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MY FAVORITES of the 21st

I pledge on Goodreads to read 52 books each year but generally read more. (I actually read 33 from TNYT list, but I didn’t like them all.) My list of “bests” is almost entirely different.

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RESIDENCY, day 2

It is the middle of the night after the second day of the Pacific University MFA program residency. So far: five crafts talks and two faculty readings, but I skipped the second student reading last night in hopes of getting a better night’s sleep. [That last is not going well. I should not be awake.] Yesterday, I ran in the morning, napped twice, and so much has come on so quickly, I feel simultaneously sated and drained, inspired and exhausted.

I should know what this sweet-smelling tree is, but I don’t. (Apricot Irving tells me it’s a Lindon tree—we both stood under it this morning and breathed!) I stopped during my cooldown walk to enjoy the scent. There is also lavender and butterfly bush, drifts of roses, and my one of my favorite native ground covers, kinnickkannick. Even now I remember the scientific name Arctostapholus urvaursi [though I may have spelled it incorrectly] because it is as charming as its “common” name. And so many trees! If I know those two trees are redwoods, does that make them different from the Western red cedar, the Douglas firs and hemlocks? All those lives I learned in college to name in Latin. Ursula unnamed the animals, and perhaps the trees, too, might discard the names we’ve chosen and have proper names for themselves. Elephants might name themselves as a group “the great ones” “those who wander” “the live long and prosper people”, since they call to one another by name. I am only amazed that anyone is surprised.
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CLOSET SPACE

56% of U.S. survey respondents would prefer to receive tickets to a live experience rather than more stuff. Women in particular prefer experiences over physical gifts. So, wrap up those tickets, and give the gift of making memories.”

—according to Eventbrite (a ticketing venue)
An old photo showing most of my 7′ closet space from when I was teaching, with a few feet on the opposite side too, stuffed with longer tunics and dresses. My working wardrobe used up more than eleven feet of closet space. Now, I might make do with three feet, but it will require hard choices. Despite my best efforts to sort them out, I have too much clothing!
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FORGIVEN

The package contained only the book and the note. It’s true that my classroom Bible had vanished, a New International Version, but that would have been at least six years ago before I retired from teaching full time and had to clear my classroom book shelves. I usually kept a Qur’an on my shelves too. I am interested in scripture. I am respectful of sacred text.

Left to right: the carpet on the painted floor, and on the table is the returned NIV Bible, the note quoting a blog post, the postcard from Toni with a bit of Dorothy West showing, and my current journal with a pen.
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INTIMIDATING

12nov2012

It seems to be my month for bad dogs. Yesterday a large dog charged up and began barking in my face. I have seen this dog exhibit aggressive behavior toward others onshore. The owner of the (illegally unleashed) dog tried to call the dog (no effect) and to reassure me he was harmless. Yes, head and tail down, weighing close to a hundred pounds. Harmless. “He can be intimidating,” she said. She was laughing when she said that, and walked right on without apology or any attempt to correct the behavior. Well, yeah. The last time someone told me their dog was “friendly” I got hit in the face. Continue reading

SUBMIT

I submit.

There it is. That word again. Eighteen months after sending a query to an agent, I heard back yesterday. She doesn’t want that book but would be willing to hear about my next project.

Not that I am complaining. A few agents I queried failed to make any sort of response. (I had assumed she was one of them.) This is ironic, I feel, since all my queries were online and a generic rejection or even a rejection with a send-me-your-next-project line is simple enough. click When I sent out queries and other submissions almost twenty years ago with paper and stamps, I always had a reply. Many of them, and several with a send-me-your-next-project line. Some sent tiny slips of rejection in my required self-addressed-stamped-envelope. These days most agents warn on their website that they “may not respond” to all queries.

Never mind. This agent apologized for taking so long and added the send-me-your-next-project line. So I sent her another query. And perhaps in 2021 I will receive a response? Or perhaps she has caught up and I will hear in a few weeks. Either way, I take it as a good sign, though she likely says this form response to many submitters.

We all submit.