post-AWP

 

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So we went, I saw, and we came home again. Fourteen thousand people. I saw Marvin Bell entering the building as we drove past. I am mostly the invisible woman, too old to matter, but there were amazing people all around.

My choices of what to bring home were determined by money ($15) and covers. I am a genuinely shallow person who chooses books for their covers. Then I read the first page. Believer is stunning. Witness (a journal I have long admired) gave me a free issue because I rolled 9 three times in a row. Ruth Gundle (bless her!) handed me Judith Barrington’s newest. I could not resist buying Karen Joy Fowler’s new collection of short stories (charged it!) and then three volumes of poetry (Dan Kaplan’s cover was not great imo, but a peak inside revealed his write is). I could have spent a couple of days trolling literary journals. I had less than an hour.

I went to only one presentation (seriously, just one) and it was a perfect choice, even though I am not teaching anymore:

S157. The Most Versatile Essay: Flash Nonfiction in Any/Every Classroom. (Brian Benson, Allison K. Williams, Sayantani Dasgupta, Anna Vodicka, Celeste Chan) Even the most reluctant-to-write students take to flash essays. Drawn to their economy, they’re won over by the urgency and potency of the form. From the academy to the incarcerated, beginners to advanced, flash nonfiction is a boon to writers of all stripes, and a vital part of teaching in the technological age. Panelists will discuss the versatility of the form, successful teaching strategies, prompts, exercises, and go-to resources from a range of educational settings and pedagogical perspectives.

Panelists represented programs from all over the U.S. and the world. Hugo House in Seattle, The Attic in Portland, as well as academic and commercial backgrounds. Pages of notes! I received a wealth of excellent advice from five people who write nonfiction, are active members of writing communities, and shared years of specific, hands-on experience working with young adults and adults. Though I have taught for 40 years, I learned from each member of this panel and left feeling energized and excited by approaches that were entirely knew to me.

I hugged Allison, shook Dinty Moore’s hand, bought Karen Joy Fowler’s new book, two poetry books from Burnside Books, plus another book written by the person working that booth—gorgeous all! I rushed through the Book Fair. Presses I have submitted to, presses holding work, some who have sent me kind rejections, and others who sent me form rejections. It was pretty overwhelming.

And then I sat and talked to Molly Gloss and Bette Husted and when Karen Joy Fowler showed up, we all talked.

I had arranged to meet Gary outside at 2:30, and as I went down the stairs I could see him through the window. There he was on the sidewalk talking to Ruth Gundle while she waited for Judith Barrington to pick her up. Brilliance everywhere I looked.

Five hours of literary illuminaries.


Gary felt I should mention the $4.25 for a Pepsi. He’d waited in line for 10 minutes and felt disheartened by the price. He left his change as a tip, and it wasn’t cold, though the young man who handed it to him was touched to receive a tip.

I had told him I would not be buying lunch. That much I know about conventions. He is still ranting about that Pepsi, “my AWP experience.” He was a grocer for much of his adult life and knew what was paid for that Pepsi.

Bette or Molly told me I’d missed Nisi Shawl. I missed Debra Magpie Earling. There were many people I would have enjoyed shaking hands with. I took no photos, though I had my camera with me. I knit a couple of rows on a baby blanket. I limped.

AWP

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There are beautiful and interesting places all over the world. This is mine.

So yes, I am going. I am going to the national conference today, just for a few hours. Originally, because it is in Portland and has not been here in ages and because I know many people who will be attending and serving on panels (though specifics were hard to come by unless an individual posted them) and because, you know, I realize I should go, I was going for three days. Then I thought we would dive in twice, over the Coast Range and through the woods, but no.

The truth is that conferences overwhelm me. I am always glad once there, but . . .

It was two of our grandchildren who drove over the river and through the woods to grandmother’s house. They arrived in time to keep me home for all but one day. (And I will not post photos I did not take, but it was a really wonderful visit. We played Uno and made jewelry out of shells found on the beach, and I made waffles.)

The Burnside Bridge is down for repairs and Gary had planned to drive that way. We disagreed about how far the Oregon Convention Center is from Powell’s City of Books (no one should miss that). Gary thought it was miles, I thought it was closer. Google Maps suggests a 26-minute walk, 1.2 miles. I will wear my walking shoes just to get around the convention center. I used to take students to Powell’s on unofficial field trips.

So today. I hope to finally meet Allison Williams in person, and to visit with Bette Husted and Molly Gloss, and why didn’t I email Felicity? Jeannette will be busy and I have not heard from others. This is the disadvantage of leaving Facebook last month.

 

HORSES and FOSAMAX

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A few of my horses in the foreground. My mother’s and aunt’s dolls in the background.

There’s a connection. Wait for it.

I was crazy for horses as a child. I begged for horse figurines for my birthday, read every horse book in the juvenile section of our local library before I hit adolescence and loved the smell of horse manure. “Can’t I have a pony?” Not in suburbia. I read a British book on stable management intended for adults. I correctly predicted the winner of the Kentucky Derby five years in a row.

In high school, my mother finally granted my dearest childhood wish and gave me weekly riding lessons for a few months. I was terrible. I’ve been bit, kicked, and thrown twice. The worst was the bite’s deep bruise. My last time on a horse my dismount was an embarrassment.

Even all that is not enough to ruin my passion. I still love horses, but I could never afford to keep them.

Instead, for a few decades I showed sighthounds (Afghan Hounds) and ran them in field trials through the American Sighthound Field Association (ASFA) and as one of the original people involved in founding the Canadian Sighthound Field Association (CSFA). I served on Boards. I chaired events, I designed logos, I edited newsletters.

At shows, I sometimes saw medication in tack boxes and overheard conversations about the use of various what-now-would-be-called “performance enhancing” drugs. One Afghan breeder willingly told me she had to medicate her foundation stud because otherwise he was too fearful to show. I witnessed a dog from California bite the judge who went on to give him Best of Breed—that dog is now described in almost worshipful tones by people who never actually saw him in person. In addition to problems with temperament, I knew the dirty laundry about rare eye and hip and thyroid diseases. I ran eye clinics. I read the research. I was careful breeding, and mostly didn’t.

The American Kennel Club has never been quick to address breed problems, trusting the breeders who register puppies to police themselves. (No surprise that judges were always Mrs. or Miss, no Ms. allowed when I was active.) Using drugs on show dogs was absolutely forbidden, but no one was checking. So I began to wonder about how drug abuse in show dogs might be better managed?

I cold-called the Secretary of the Oregon Racing Commission, which at that time regulated dog racing in my state as well as horse racing. This would have been in the 1980s. I had rehearsed my line: “Hello, my name is Jan Priddy, and I am writing an article about drug use in show dogs and would like to know how the state Racing Commission handles drug use in track Greyhounds.” It was a good thing I knew that line because I would repeat it several times.

The Secretary’s secretary was the first to ask, “Who are you? And who are you writing for?”

I repeated my lines, “My name is Jan Priddy, and I am writing an article about drug use in show dogs and would like to know how the state Racing Commission handles drug use in track Greyhounds” and added: “I am free-lancing.”

Almost instantly I was put on to the Secretary, who naturally asked me who I was and who I was writing for?

“My name is Jan Priddy, and I am writing an article about drug use in show dogs and would like to know how the state Racing Commission handles drug use in track Greyhounds.”

“I don’t have time to talk to you,” he said in an irritated tone. He asked me to tell him again who I was. So I did. Again.

And then curiosity got the better of him. “What are they using on show dogs?”

I named what drugs I had seen, including the one I still remember: “bute” (a steroid).

“I don’t have time to talk to you,” he said again, and then: “Why would they do that? Is there any money in showing dogs?”

“Not really. Not at all. It’s an expensive hobby, but there’s ego at stake.”

“I don’t have time to talk to you.” He said it four times, and I said my line four times, and then we talked for almost an hour while he told me how the Racing Commission monitored drug use on racing Greyhounds. He told me the drugs they could test for and the ones they hoped to be able to test for by the following racing season. He told me the drug they tolerated, even though they could test for it, because if they outlawed that drug, trainers would use another drug they could not test for. “And that one is really bad, harder on the dogs. But we once we can test for that, we’ll outlaw both.” He was optimistic about getting ahead of the curve and outlawing medication entirely in racing Greyhounds.

Win and place were tested in every single race. About once a day and without warning, every single dog in a race was tested. Once a month, on an unannounced day, all of the dogs on site—retired dogs, non-Greyhound pets, and Greyhound puppies as well as dogs currently racing, every single dog at the track—were tested. If there was any drug detected, the owner and trainer and all their dogs were banned. The wrath of god came down upon them, and I was talking to god.

By the end of our conversation, god was quite pleasant, I had learned more than I knew there was to know, including the name of the lab that did State blood testing. He offered, at any time, the use of that lab at his cost to test show dogs. I knew that was never going to happen, but I shared his optimism about a drug-free future for racing Greyhounds.


Step forward 35 or so years. I never completed writing my article, I no longer show Afghan Hounds, there is no Greyhound racing in Oregon, and 22 Thoroughbred racehorses died in the last few months in California at the track. No one wants to admit that drugging racehorses is a major contributing factor. (My friendly god was wrong to be optimistic.)

A French racehorse trainer has been arguing for a reasonable approach to drugging racehorses for a long time. Here’s a statement from over a decade ago:

“Anyone who has read any of my comments to posts or my articles will know that I believe eliminating all race-day medication and the use of steroids would be the biggest, most effective first step. Steroids bulk up a young horse’s muscles to a level that the skeleton cannot support. In France, the trainer of a horse that tests positive for steroids will lose his or her license — permanently. A ban on race-day medication of any type seems painfully obvious. If a horse needs medication, it is not fit to run. That principle governs the rules of racing in all of Europe, most of Asia and Dubai. The United States, Canada, Saudi Arabia and some South American countries allow a panoply of race-day medications from anti-inflammatory drugs, which mask pain, to lasix, the diuretic drug that some believe controls bleeding in the lungs of a racehorse.”—Gina Rarick, 2008

More recently she blames the recent racehorse deaths on a number of factors including track surface but there is still the way Americans drug our horses. Yesterday she mentioned steroids, including bute, but also this:

“Breeders need to get the highest price possible for a yearling, so in addition to corrective surgery to fix defective legs, they use steroids to add bulk and sheen, and bisphosphonates to stabilize the bone structure. But these bisphosphonates also limit new bone growth, impairing the young horse’s ability to adapt to the stresses of training and racing.”

“Once the horse has fetched that high price, there is huge pressure on American trainers to get it racing as soon as possible to cover the costs of the purchase and training fees. That means the young racehorse is treated with endless rounds of so-called therapeutic medications: phenylbutazone, known as bute, to help with the aches and pain; clenbuterol to keep the lungs clear (plus there’s that added steroidlike side effect, which keeps them eating and keeps the weight on); and the diuretic Lasix every time before fast workouts and races, ostensibly to prevent bleeding in the lungs. There is little science that says Lasix actually does that job, but quite a lot of science identifying Lasix as a performance-enhancing drug.”—2019

The danger of bisphosphonates is what caught my eye. I wondered how long horse people have been aware that the drug may suppress healing. The result is that micro-fractures or cracks in a bone don’t heal, and if too much minor damage piles up, even a minor bump can result in a disastrous fracture for an animal weighing well over a thousand pounds traveling over 55 mph. The horse breaks a leg and is put down on the spot.

[I remember when the great filly Ruffian bumped into the starting gate and after she took a misstep on the backstretch, broke a leg and was put down the same day. According to Wikipedia: “Medications such as corticosteroids for inflammation and pain management came into common use. However, while helping the horses in the short term, the increased use of medications at the track had a downside, as many more horses were raced while injured. The average number of starts per year steadily declined, though this may also be attributable to economic factors.” I was watching that race when it happened, and mostly stopped watching horseraces after Ruffian was killed.]

Here’s the leap: bisphosphonates are used to treat osteoporosis in human beings, hundreds of millions of human beings have taken this drug. It does increase bone density and studies show that reduces hip fractures. But maybe bisphosphonates are not without drawbacks. A Harvard study in 2006-2008 found that the use of bisphosphonates such as Fosamax used to build bone, might result in fracture from even a slight bump. “The researchers concluded that long-term Fosamax use is a significant risk factor for low-energy fractures of the femur.” Studies conclude, as the French horse-trainer mentions, that bisphosphonates build bone quickly but are not without their down side.

My mother was on Fosamax for a very long time, far longer than the 7 years in the Harvard study. During the years she was on that medication she broke several bones including her arm and both hips, each hip requiring replacement. She did not recover from the second hip fracture. The surgeon shattered her pelvis while trying to repair it. (I shamelessly eavesdropped on the surgeon’s conversation with Mom’s GP. He said he could not understand why her bones were so brittle.)

I have always been a milk-drinker, but I stopped cold after my second bone scan showed terrible score, and then my scores actually improved a year later after I lowered calcium in my diet? They improved again after a year on Fosamax with calcium and D, but none of this means much of anything because each scan showing deterioration or improvement was done on a different machine and bone scan machines are not normalized one against another. Each one does its own readings and has its own standards. Any decent medical advice website will warn you to be sure you are always scanned on the same machine. Even my “second opinion” emphasized that. My local hospital keeps replacing its machines and scores from one machine cannot be compared to scores from another.

And, yeah, how dumb is that? If the scans were reliable, wouldn’t they each find the same reading? But, no, they do not.

So after my most recent scan, I checked back to see what machine had been used each time. When the letter came from my GP expressing optimism that the therapy was improving my bone since my scan numbers had shown improvement, I posted her right back that the new numbers were pretty much meaningless since they came from yet another new machine.

I went off Fosamax in January after a little more than 2 years on the medication. I feel better, maybe. But maybe that’s because I am more careful about water and calcium and vitamin D? Maybe in a year or so, I will go back on the drug? I can’t be sure it’s helped me. Maybe it has, but my bone scans have each time been conducted by a different technician on a different machine, and then, each time reviewed by a different radiologist, I have little confidence and no trust. I tried at the beginning to get a second opinion about my bones before starting treatment, but all I got was a second opinion telling me Fosamax is great, not a second opinion willing to even glance at my medical records or family history. Seriously, he joked about inter-hospital rivalry, refused to look at my records, and mostly got his notes wrong.

If the doctor is making medical decisions about my health based purely on averages and not considering me as a person? I would rather have that new computerized diagnostician. And the physical literal hand-holding (which I experienced only once at another hospital)? Some local doctors all went to a seminar to learn how to pretend to care. It doesn’t mean that are better at their job. It doesn’t mean much at all, though it feels sincere.

Some doctors really do care. There is still at least one local who has not retired, but he is not in family practice anymore. None of the good ones are, it seems.

Once they find a treatment and procedure that insurance will pay for, it’s hard to let go. Statistics suggest Fosamax helps, so it must be okay. And “talk to your doctor” isn’t always an option. (My doctor prefers to lecture rather than listen to anything I might say.) Fosamax is cheap but there are far more expensive substitutes doctors keep urging me to try, just as there were for the drug my husband was on after his one blood clot. I have even less faith in options that have not been in use for decades.

I walk 45 minutes each day. I watch my diet and drink my water and rest and get my sleep and do what I can to stay healthy. I am not as prone to falling as my mother, but I have fallen without breaking a bone, and I am not having another bone scan or taking Fosamax the rest of this year. If the French trainer is correct, there will be another rash of deaths of racehorses on an American racecourse all too soon. I hope to learn from their bad experience.

Harriet Tubman

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The Emily Howland photo album containing the portrait of Tubman, (above: detail, ca. 1868) was unveiled this week at the Smithsonian’s National Museum of African American History and Culture. (NMAAHC, Library of Congress)

800px-Harriet_Tubman_by_Squyer,_NPG,_c1885I have added the photo above to the post from this morning: UNDERGROUND RAILROAD. Harriet Tubman would have been about 36 years old.

The photo at left is the more familiar one from when she was in her sixties, long after the Civil War.

According to Wikipedia: “Harriet Tubman (born Araminta Ross, c.  January 29, 1822 – March 10, 1913) was an American abolitionist and political activist. Born into slavery, Tubman escaped and subsequently made some thirteen missions to rescue approximately seventy enslaved people, family and friends, using the network of antislavery activists and safe houses known as the Underground Railroad. She later helped abolitionist John Brown recruit men for his raid on Harpers Ferry. During the American Civil War, she served as an armed scout and spy for the United States Army. In her later years, Tubman was an activist in the struggle for women’s suffrage.” Also known as “Minty” and “Moses” for obvious reasons, Harriet Tubman died at the age of 90 or 91.

She served her country and its people in every possible way, with honor, courage, and dignity.

UNDERGROUND RAILROAD

I was reading The Underground Railroad by Colson Whitehead. In a blurb on the back cover, Oprah Whinfrey urges people to buy a second copy for a friend “because you are definitely going to want to talk about it.” Someone asked me to be that friend.

This fantasy fiction details real atrocities committed against African Americans over the past two hundred years in the fictional life of a woman named Cora, born a slave. There is no fiction in these burnings, beatings, and other bald unwarrantable usurpations Whitehead describes, though they are unlikely to have all been experienced by one person, and did not occur as described since some events are expanded in scale or compressed in time, and some happened in the following century. (Those alterations and inventions do not make the suffering any more disturbing, but considerably less so. I kept wondering why it was necessary to exaggerate an already abominable history? My friend tells me she can set history aside, but I never can. She’s right about that.)

And then there is the literal manifestation of railroad tracks and engines underground. Sometimes they went the wrong way. I liked that a lot. Such is real life. Sometimes.

Cora jumps on the underground railroad without knowing its destination, just desperate to escape. There was no telling. From Georgia, her first ride takes her to South Carolina.

Late in the novel, Cora begins working on a side branch of the underground railroad—no engines here, only a hand-driven cart through a narrow tunnel headed north from Indiana. There’s more. But step aside for a moment.


There was a real woman in Indiana working for the Underground Railroad during the first half of the nineteenth century. She was born a free person in the slave state of Delaware in 1823. She traveled all over, and she would eventually marry and raise two children. Her husband died four years after their marriage, and like many woman in my family, she supported herself and her family. Her home in the last years of her life in Washington DC has been designated a National Historic Landmark. She is easy to research.

“Mary Ann Shadd Cary (October 9, 1823 – June 5, 1893) was an American-Canadian anti-slavery activist, journalist, publisher, teacher, and lawyer. She was the first Black woman publisher in North America and the first woman publisher in Canada.

“Shadd Cary was an abolitionist who became the first female African-American newspaper editor in North America when she edited The Provincial Freeman in 1853.

“During the Civil War, at the behest of the abolitionist Martin Delany, she served as a recruiting officer to enlist black volunteers for the Union Army in the state of Indiana. After the Civil War, she taught in black schools in Wilmington, before moving to Washington, D.C., where she taught in public schools and attended Howard University School of Law. She graduated as a lawyer at the age of 60 in 1883, becoming only the second black woman in the United States to earn a law degree. She wrote for the newspapers National Era and The People’s Advocate and in 1880, organized the Colored Women’s Progressive Franchise.

“Shadd Cary joined the National Woman Suffrage Association, working alongside Susan B. Anthony and Elizabeth Cady Stanton for women’s suffrage, testifying before the Judiciary Committee of the House of Representatives, and becoming the first African-American woman to vote in a national election.”—Wikipedia

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A nineteenth century map of the Underground Railroad.


I felt held at a slight distance from Cora. This impression was underscored as I read accounts of real women living in slavery in Mother Is a Verb by Sarah Knott. This well-documented nonfiction about mothering, speaks from the author’s personal experience as a new mother and from first-person accounts of real women from hundreds of years past. Two pages about slave labor in the fields created a greater intimacy than I found in The Underground Railroad. I felt at once that I was reading truth, and I never quite felt that in the novel. (Perhaps arguing with his mucking about with history.)

Nevertheless . . . Whitehead is a wonderful writer, and I waited to fall under his spell; he certainly casts one.

“Before the book the only thing to read was what came written on a bag of rice. The name of the firm that manufactured their chains, imprinted in the metal like the promise of pain” (235).

Their chains do not belong to them.

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The Emily Howland photo album containing the previously unknown portrait of Harriet Tubman, (above: detail, ca. 1868) was unveiled at the Smithsonian’s National Museum of African American History and Culture. (NMAAHC, Library of Congress)

SEASONAL CHANGE

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The spray from waves turned to rainbows on the last day of winter.

This last week was mildly eventful and full of change. The final three days of winter brought a stiff east wind—which locally is sometimes quite warm in winter. For three days we enjoyed temperatures in the 70s, which would be a warm day for us in summer! It was a particular relief after the nighttime lows in the 20s the month before. And I took advantage, emptying two rooms so that I could paint floors (more on this later).

Then, naturally, the first day of spring saw an abrupt dip in temperature and a bit of rain. The change of season triggered a series of wild thoughts. We might use our passports to go someplace further than Canada—Ireland? Portugal? Italy? We have only visited the U.S. and two provinces of Canada. Is it even possible to travel anymore without a smart phone? I surveyed the stacks of books that have gathered since I last edited my bookcases—time to sort again. There are shelves of books kept specifically for teaching. Some reorganization is called for. Some hard choices about what books might leave the building. I still have books from childhood, but my house can have too many books once they start appearing in stacks on the floor.

I lay awake one night imagining tearing down our duplex. Though my grandfather rented these units by the night, we have always tried to find full time tenants. Homes all around us have become high-end by-the-night rentals and local people have trouble finding housing. Houses turn into business opportunities, cleaners arriving every few days, a half dozen cars across the street, vacationers replacing residents. Some local residents only venture forth very early while visitors sleep in. (Some rarely visit the beach at all.) We recognize that our local community will continue to change. Wealthier people will supplant those of modest means, while we have determined to rent to the latter and resist this “business opportunity.” It has been such a challenge at times—but then we have met some wonderful people too, and our remaining tenant needs his home. A neighbor came by with a suggestion for tenancy. He also rents only long term.

A good friend was visiting family and stopped by for a chat on Saturday. Everyone seems to be telling me about their children, a subject I confess to finding fascinating. How is it that for much of my life—all the pre-child years—I thought babies were all alike and raising children uninteresting? Now, even now as a grandmother, I find children marvelous.

The official spring Beach Clean-Up wasn’t finding much trash out front (we pick it up every day—a burst pipe just the day before), but while we sat in our dining room with our visitor, and a truck drove on the beach to load and haul away the cut-up tree we’d taken out of the garden. Gary was waiting for the tree to dry, for a day without wind, and we’d have had a small fire on the beach. He is, actually, quite relieved it is gone, but we didn’t understand why a cut-up five-inch trunk and some boughs needed to be hauled off. Hopefully it’s being turned into mulch, which is better than us burning it and less work for us.

I made sourdough crumpets.

We were very glad to reconnect with a local contractor we like and trust. He came by and we outlined a series of repairs and one upgrade. Several evenings with incredible sunsets, and the moon . . . oh! the moon was full and copper-bright!

The taxes did not get done last week before the start of spring. There is still a great deal of painting to do on our rental. A neighbor dug what we assume is to be the grave of their dog. We witnessed a dogfight on the beach—well, not a fight, a bullying attack by a local dog upon a somewhat smaller and entirely inoffensive visitor. No permanent damage, but low moments for the week. I did a bit of knitting. Slept badly. Began reading aloud from the ninth O’Brian Maturin/Aubrey novel. Gary seems to have been successful in getting the rats out from under the duplex. The doves are cooing louder and louder as their nesting season begins. There is a mango-sherbet sunset as I write this. Walked the beach each day. A mix.

We had seven good walks, drank a bottle of sparkling wine over a long evening, and changed our flannel sheets for percale. It’s that time of year.

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This is what a light gale force wind does: blows the waves backwards into the sea—gorgeous!

 

TO BE SURE

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The Los Angles Review of Books blog has a grammatical error.

“Unlike Nancy, who’s mother died when she was three, I had a mom, and my mom had read Nancy Drew when she was my age.”

The contraction “who’s” stands for “who is.” The writer wanted the possessive form of “who” (whose) and failed to find it. No one caught the mistake before the article went to print, or in this case was posted online.

I am not a grammatical wizard (anyone who reads my blog will have caught typos), merely a well read person who is a naturally bad speller, ignorant of rules, and not afraid to admit it, and one willing to look up what I do not know. Usually, I know when I am unsure, but sometimes I am mistaken even about that.

One thing I do know, when I find writing in a journal as eminent as the BLARB, I expect someone will proofread the copy. I hope someone might.

That would assume that there was someone on staff to do the work of editing. Years ago, every publisher had fact-checkers and line editors. We are none of us perfect, and most writers are blind to their own errors, which is why working with a really good editor is such a treat. That doesn’t happen often, and most writers today are left entirely to their own devices as far as editing goes.

Today, there are merely readers who are supposed to weed out the genuinely bad writing and narrow the list of submissions to a readable number. The actual editors come in late to winnow the list to the pieces that might see print. Among writers this is the process, largely invisible, of submission. I send a piece of writing to a journal, a reader (usually an undergraduate volunteer at literary journals produced on college campuses) gives it a yes or no, and it passes on to the next reader. Some journals use multiple readers and incorporate multiple rounds of reading, and many include the Editor in Chief in the final round that decides what will be printed. On the masthead will be listed names of the Editor in Chief as well as Editors for fiction and poetry and nonfiction. The layout artist and covers designer might show up. There are often Assistant Editors, and at the bottom of the pages, sometimes, a list of the Readers.

The only time I have seen a Proofreader listed in the masthead of a literary journal was nearly twenty years ago when I found a typo in Tin House. She did not thank me for pointing it out.

No one wants to hear about their mistakes once they have gone to print.

A California executive secretary applied for a job with the Oregon high school where I worked. The Head Secretary whose job she was applying for was so incensed by the applicant’s notations about typos that she threw the letter out. Imagine if someone who actually understood perfect grammar and spelling had been hired! I, for one, would have stood in line at her desk asking for an edit.

“The Case of the Perfect Girl Detective’ is well worth the read. The error is trivial, no worse than you might find here in every post. I was not confused as to the author’s meaning. I might have found the error reassuring, in fact.

 

A BETTER WORLD

41l+4UobkRL._SX325_BO1,204,203,200_.jpgDystopias extrapolate the fears of the day while utopias project our dearest hopes and ideals.

Science fiction writers from the Golden Age of post-WW2, for example, often address the disastrous impact of the potential for nuclear powers to obliterate the planet. They were concerned about global and intergalactic peace and the trade-off in freedom resulting in a governing body with so much power. They recognized how population pressure and a shift toward manufacturing with machine rather than human power might dehumanize our future.

Huxley missed all that.

Brave New World was written at a time when the world economy was in the midst of a Great Depression and there was concern about finding the minimal 1000 calories necessary to maintain human life. Huxley addressed the need to stimulate the economy, reinforce social class and bigotry concerning gender, sexual orientation, race, and language. In a world rapidly opening to new ideas, Huxley maintains the status quo.   

Most languages are defunct, which is nice for the UK when English remains the lingua franca, but most languages from Polish to Spanish and French are so far extinct as to be gone from general consciousness. Women (always referred to as “girls”) exist as nothing more than inferior beings necessary for procreation. Sex. It is a white and male future. Casual lines about “negroes” within the first pages had my hackles up. There is ample evidence that he actually failed to notice that some of what he presents in his nightmare future, was already a nightmare. What Huxley knew was the rigid class system (which he then codifies here into biological law) and the need to regulate markets via absolute control of both production and consumption.

It is satire, with a lively and smug tone that reports in dizzying detail about a society that is irrational and repressive. Perhaps most societies are, but this is not a warning but arrogant. Not to mention how much he gets wrong.

What does he get wrong? Basics of biology, psychology, technology, communication, education, gender, race, nationalism, and the future importance of the British Empire. As one example, exhaustive detail about artificially breeding and rearing children is ridiculous. From specifics of harvesting eggs to programing children to be fearful of flowers, none of it is plausible. His story advances hundreds of years into the future, without considering how unimportant physical human labor is to society—a shifting paradigm evident in his day. He should have seen that coming.

What else does he miss? Dangers of post-WW2 pesticides and poisons, nuclear energy, wars, global warming, population pressure. These are the threats on which most science fiction of the 20th and 21st centuries focus. It is fair to note that Huxley could not have foreseen that the “War to End All Wars” was only the beginning, that military might would overtake social controls as a threat to world peace, that toxins such as DDT would create havoc on the natural environment, that global warming would alter climate and coastlines and food sources, that all these changes and the threat of nuclear war and a world population four times larger than the one he knew would threaten human existence.

Even Huxley recognized within a decade or so that his options of “Utopia or Savagery”/insanity or idiocy are inadequate, and he belatedly offers a third option, also inadequate.

Abuse of power is central to any dystopia, but Huxley’s book is hopelessly inaccurate in terms of science and fails to predict specific concerns nearly everyone in the world worries about today. His cheeky voice and sex-driven plot (in a future where the very word “father” is vulgar) may appeal to some. He can’t be faulted for most of his mistaken assumptions about the future, but the rampant nationalism, sexism, and racism in the novel do beg the question: Why is anyone still assigning this novel to high school students?

And I know the answer, surely I must. But still.

Utopias are harder. We do not accept them as a possibility. With a unique human determination to find fault, we grasp at the dystopia as representative of everything that might go wrong. But perfection? Oh, no, we cannot imagine that.

9636460.jpgAnd then most utopian novels I have read are no better at creating perfection than Huxley was at predicting disaster. Walden is utopia, but somewhat false as nonfiction since Thoreau did not actually live the life he writes about. The novel Walden Two, by behaviorist B.F. Skinner, on the other hand, does a a more honesty job by not pretending to be true.

“We are only just beginning to understand the power of love because we are just beginning to understand the weakness of force and aggression.”—Walden Two

B.F. Skinner asks if you knew how to manipulate people into living in an ideal society, wouldn’t you do it? We are all products of our experiences and responses to societal conditioning. Wouldn’t it be best if we deliberately created a society that conditioned us to live harmoniously and happily?

If readers are looking for a conventional novel, there is a plot here, a beginning and middle and end. But that story is mostly beside the point.

The story is a thought experiment first conceived immediately after WW2. Here an academic psychologist Burris visits another psychologist, Frazier, taking with him a pair of veterans, their “girls,” and a philosopher Castle, also an academic. The structure of visitors observing and interacting with members of a utopian community has been used many times. Herland by Charlotte Perkins Gilman (1907) is an earlier example. The visitors argue against the workability of a society that clearly is working just fine.

herland-14.jpgIn 1970, my first term at the University of Washington, I took a psychology class taught by a recent retiree from the US Navy. The man was a behaviorist, of course, and had spent 20 years training porpoise to commit acts of war. I worked hard in that class, harder than was typical for an intro class. I read the novel and wrote a paper about Walden Two. Mostly what I remembered was the clever way work was set up in this imagined utopia. Everyone had to do at least a little manual labor, but all work was chosen. Payment was in credits and each member of the community had to earn 4 credits per day. Some jobs such as cleaning out sewers earned more than a credit/hour. Some, such as working in a flower garden, earned less than one credit/hour. “Payment” was adjusted if more or fewer workers were needed than takers. I loved that system.

I also recall that the founder, Frazier, was not liked much but was tolerated in his utopia, and was actually not very good at following his own utopian guidelines.

There was a great deal I did not recall after all this time, and mostly that is because Skinner got so much wrong. Like Huxley, he even got the science wrong. He is wrong to remove children from one-on-one care by parents. He is wrong in the way he describes “teaching” young children to withstand frustration, and ironically he is wrong to underestimate the impact of “delayed gratification” as a necessary skill for adolescents and teenagers. I would have recognized some of this at the time since I was aware that group-raising infants in the USSR had proven unsuccessful. Promoting childbearing by age 15 or 16 is not “much better” than waiting to have children when the body is mature. Child-bearing is not something to be got out of the way while still a child. And since Skinner is squeamish about religion and extra-marital sex, he fails to address the issues that come with promoting marriage among very young teenagers.

“In a cooperative society there’s no jealousy because there’s no need for jealousy.”

He insists there are no laws in Walden Two, yet there is a Code and violating the Code has consequences. That is law. His Managers and other officials are not government because government is irrelevant unless it is local. Citizens of Walden Two are told how to vote in local elections.

“The majority of people don’t want to plan,” the novel’s protagonist insists. “They want to be free of the responsibility of planning. What they ask for is merely some assurance that they will be decently provided for. The rest is a day-to-day enjoyment of life. That’s the explanation for your Father Divines; people naturally flock to anyone they can trust for the necessities of life… They are the backbone of a community—solid, trust-worthy, essential.”

Skinner argues hard for his scientific approach and claims that his invented society is egalitarian about race and gender. What he refers to as “Girls” and women are supposed to be on an even footing, yet we have mostly all men everywhere in charge in this novel. There is a cheerful woman dentist. All the childcare givers are women, though he insists men help too. All the characters seem to be white, and all the girls are pretty—this is actually remarked upon early. Men are “caught” by women—an out-of-date notion about marriage. (“The man chases the woman until she catches him.”) The character Castle is said to be a strong debater, but he is a peevish straw man opponent here, often failing to make his point in arguing with Frazier. Frazier himself is set up as a failure to his own cause, which is probably the most compelling and realistic detail.

There is a great deal to argue with in the specifics of this imagined utopia. I might wish he knew more about biology and anthropology, especially the latter. I am sorry he demeans history repeatedly as mere “entertainment”, while freely referencing [Western European white] history to make his case. He is actively hostile to every other scientific field. That last is particularly unfortunate.

Yet I am still intrigued by his underlying question about a perfectible society, by his approach to labor, and his emphasis on cooperation rather than competition. He might have made a stronger case had he focused less on specifics such as his tea carrier and more on how humans have cooperated for millennia, for all time. He failed to see the population bomb coming and his setting this confrontation in an agrarian society during summer is a sort of naïve cheat that repeats in many discussions and debates between characters. Remove the favoritism of parents and their poor knowledge of scientific method, remove competition, use behavioral principles and there will be no envy or jealousy? Snap! Problem solved. (I can hear the whining from here.) I found myself repeatedly thinking that Skinner’s daughter was fortunate that it was her mother who was the primary caregiver.

I still contend that Skinner’s task was more difficult than Huxley’s, and neither accomplished it very well.

“In the summer of 1945, B. F. Skinner wrote The Sun Is But a Morning Star, a utopian novel he published in 1948 as Walden Two (Skinner, 1948). An impetus for the book arose over the course of a dinner conversation in the spring of 1945 with a friend whose son-in-law was stationed in the South Pacific as World War II was coming to an end. Skinner mused about what young people would do when the war was over. “What a shame,” he said, “that they would abandon their crusading spirit and come back only to fall into the old lockstep American life—getting a job, marrying, renting an apartment, making a down payment on a car, having a child or two” (Skinner, 1979, p. 292).
. . .
“Skinner’s utopian vision, then, was not about any of Walden Two’s practices, except one: experimentation. His vision was to search for and discover practices that maximized social justice and human well-being. This was Skinner’s unique contribution to the utopian genre; it distinguishes Walden Two from all the others. As he later exhorted, “Regard no practice as immutable. Change and be ready to change again. Accept no eternal verity. Experiment” (Skinner, 1979, p. 346).—B. F. “Skinner’s Utopian Vision: Behind and Beyond Walden Two” by Deborah E Altus and Edward K Morris

And then there is Ursula K. Le Guin’s classic short story, “The Ones Who Walk Away from Omelas.” She knows we find it hard to believe in perfection—how certain we are that someone else must pay for our pleasure.

PLAGIARIZED REVIEW

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What a Google search has to say about Anne with an E:

This reimagining of the classic book and film is a coming-of-age story about a young orphan who is seeking love, acceptance and her place in the world. Amybeth McNulty stars as Anne, a 13-year-old who has endured an abusive childhood in orphanages and the homes of strangers. In the late 1890s, Anne is mistakenly sent to live with aging siblings, Marilla and Matthew Cuthbert, who live on Prince Edward Island. Anne, who proves to be uniquely spirited, imaginative and smart, transforms the lives of Marilla, Matthew and everyone else in their small town.

And what I found in a stupid review of “Every Netflix Original Show, Ranked from Best to Worst”:

“Netflix’s re-imagination of the beloved book series takes place in the 1890s and follows a young orphan who has endured abuse both at orphanages and the homes of strangers. Things begin to look up when 13-year-old Anne is mistakenly sent to live with her aging sibling on Prince Edward Island. In this welcoming small town, Anne is finally able to unleash her spirited and unique personality.

“The series starts off as quite bland and then, somehow, manages to become even duller. The acting is forgettable and Anne with an E does not do justice to the original source material. Although it’s beautifully shot, the serene landscapes cannot make up for the dreary dialogue and snoring plot lines There’s a high chance you’ll fall asleep while watching this snoozefest.”

You see the problem? (Not the typo I copied and pasted.) Anne is not sent to live with “her aging sibling”; she is sent to live with “aging siblings, Marilla and Matthew.” The nincompoop who wrote this stupid review had A. not read the books, and B. not watched the series either. She plagiarized the summary from another source, and got the details wrong because she A. had not read the books, nor B. actually watched the series. Stupid. So. Dishonest, stupid, and, I don’t know, did I mention stupid? How could she possibly know plot?

I only found this review from November of 2018 this morning. A more careful reading of her sources or actually watching the series, not to mention a quick read of the Wikipedia page would have aided this reviewer.

Some of our favorites made the “Best” ranking, but we were surprised to find others missing. It’s all about opinion, of course, like it or not. The reviewer is certainly entitled to her opinion, but when her opinion is so clearly misinformed and borrowed—I can think of no more polite a term—where is the credibility? I was never a fan of the Anne of Green Gables books (or the Little House on the Prairie series either—the class and race and gender issues put me off), but my husband and I were delighted with what was done with Anne.

Anne with an E is a story for grown-ups. Some children’s stories are best left to childhood.

It’s a little like trying to reread the Black Stallion series and then realizing it is no longer enough that the leading character is a horse. Instead, watch the gorgeous film version, a collaboration between one of the greatest cinematographer and editor teams ever.

In any event, the rest of this reviewer’s rankings did not mesh well with our opinions. In many cases her “Best” was unwatchable while wildly popular series such as Grace and Frankie were marked as “So-So.” I only chose to read the one complete review because it surprised me. Why would I trust the rest of her rankings?

It is worth noting that while Anne with an E ranked the “Worst.” On another site, I read this morning at least 97% of actual watchers loved it according to a another source. So do we.

 

ONLINE PRESENCE

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When we planted a rose the other day, we accidentally dug up this person. We let the salamander rest in the birdbath while I ran for my camera. Northwestern salamanders (Ambystoma gracile) can reach 10″ and like cool, wet places. We put her under the rosemary and trust she is well.

I quit Facebook last month, and my teaching job once I’d handed in grades last week. On the beach this morning I found four small pieces of seaglass. I have painted the floor in the entry and hall a dark blue-green. Now I am sitting in the atrium, waiting for paint to dry, reading aloud to my husband, and sipping wine too early in the day.

Our upstairs tenant has vacated after lending out the place to at least 16 people, and we plan to be more assertive about how future tenants use the place. There is a lot of “wear and tear” type damage, and we have painting to do there as well. I patched a couple of dozen holes, repairs a split in a door, and Gary must wash the rest of the cobwebs and dust out of the room before I can paint. I have already done my painting for the day. (Not really. I must put on the second coat before I go to bed.)

We think we might furnish the little apartment, first built in 1934 and remodeled completely in 1989. It is an idyllic location for a writer or for anyone looking for peace and quiet. It has a clear view west to the Pacific Ocean from bedroom, living, and breakfast nook. The kitchen looks east. My grandfather rented it out by the night, and Genevieve did the same right into the 1970s. We have always looked for longterm renters, but that has not always gone well. There is a burn in a counter from a tenant who lied about not smoking.

In any event, it would be fun to furnish. It might be fun to rent to writers. Or I might be kidding myself.

Yesterday we were busy with housekeeping chores—new door for the apartment, repairs to the stairs in our house, re-siding the west elevation that is sandblasted right down dangerously close to nothing, and the deck has holes. I emptied a room and painted the floor. Two coats. Gary worked under the apartment. We kept right on going and Gary did not want to talk about doing anything today.

Maybe two walks on the beach. Maybe I will paint a couple of walls. A ceiling.