
I particularly love this batik fabric, but I used a favorite speckled fabric for the bars, and a bit of yellow. There are not many yellows in my stash, but I mean for this to be a blue and yellow quilt.
An email this morning showed me a knitting pattern I liked. I never knit from patterns, but I often use patterns to push myself in a new direction. This one has a fancy design on both the body and sleeves. What I found interesting was the raglan sleeve shaping and that it is knit top-down. That is something I never do. I bought the pattern and discovered it has short rows, something else I have never done before. Two new skills!
I am up for that because I recently learned to do a twisted rib and I am eager to incorporate that into a sweater. I have the yarn and it’s green. But I also have yarn for a Koigu and kid mohair-and-silk sweater in smokey violets. The gauge for the purples is close enough to the gauge of the new pattern, so I watched a YouTube video about German Short Rows linked in the pattern. Very easy, very smooth, and the woman said, when it got a little counterintuitive, “Trust in the lord and keep knitting.” I am not religious, but the sentiment delights me.
Trust the process.
The quilt is coming along. I generally prefer to piece square blocks, but this time I am working in random-length rectangles. It may not sound like much of a challenge, but the shapes are pushing me outside my comfort zone. At least two blocks a day should see me done by the end of August, front and back too perhaps.
Here are the first few blocks laid out in stripes. I have begun cutting and piecing, eight blocks so far. Laying out the pieced blocks on the floor tells me how far I have to go and how different combinations of hue and value work. These blocks are not sewn together and they will be moved around as I work. I mean to alternate wider and mostly solid dark stripes with narrower and mostly pieced stripes. Some fabrics are so charming in their pattern I will include them as whole blocks rather than piecing.
I should name the pattern I am piecing—in fact, it probably has a name, but I have never seen it before. It is an embellishment of Chinese Coin, a traditional quilting pattern of multi-colored horizontally-striped vertical bars alternating with solid vertical bars. But really it is a pieced version of a pattern I wove into the center of a weft-faced rug that was itself based on a Colonial American doubleweave coverlet pattern called Snowball and Pinetree. I enjoy reinterpreting traditional textile embellishment from other sources—weaver’s log cabin used in a quilt, knitting a quilting pattern of equilateral triangles, a common fabric piecing design. (I should have kept that sweater purely for the pattern. My family found it ridiculous, however, so off it went to a charity.)
The pieced blocks will have skinny vertical lines crossed on the horizontal such as the yellow on blue in the photo. There is also a wide blue-on-blue block between the two yellow ones in the photo. Some of the center bars in the pieced blocks have a spot of another color—the yellow tip of a speckled blue bar upper right (part of the block shown half-finished in the photo above) and a bit of yellow in the dark blue bar of the block just south of that one. I will use about fifty fabrics in this quilt, all from my stash. The backing too, I hope to piece from my stash. Even the thread I am using is leftovers. Black so far, and on my second bobbin.


The current cover story of The Atlantic describes the crime most likely to escape prosecution. It’s rape. And not for any of the reasons we have assumed for so long. People are no more likely to lie about having been raped than any other crime, but police are far more likely to think a rape victim is lying. Think about it. If someone says their sister was murdered or robbed, is the initial reaction doubt that the death or loss of property occurred? If you saw someone you actually recognized running off with your television, would that mean the police would not bother to investigate the theft?



