“A YEAR AGO” or more

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So far this month. I have made little progress on Camp NaNo, but I withdrew six poetry submissions yesterday. A story has been out for a year, six months short-listed—I think they are only teasing me. Yesterday the last of the base trim went down in the dining room and kitchen; it’s only been thirty-some years to get it completed. This morning I have a few hundred square feet of floor to varnish plus that newly installed base. Rain is nearly always welcome, post-fireworks especially, but the damp will slow drying, so that is not so good.

I am worried about a former student and driving and writing and the world too. Not in that order.

Sleep did not find me last night, and I am already tired before a very hectic morning. The next busy-busy days, and I figured out, finally, what to do about a quilt I have wanted to construct. Good? I gave up reading Romola, which is too smart for my mood just now. And I was wrong about a connection to the painter Artemesia Gentileschi. Does anyone enjoy being wrong? I should be up walking the beach, but finally I feel sleepy when it is too late in the morning already for sleep.

Finally, the national newspapers seem to care about abuses against women, or at least when it makes a good story. One local Florida reporter would not let the Epstein story go. Julie K. Brown of The Miami Herald just kept digging and pushing. It took a while to regain traction—more than a decade for the boys to pay attention to this legal travesty—but her name has already disappeared from reporting on the rapes and other abuses committed by a very rich man despite her efforts to drag them into the [lime]light. New York’s Southern District, Geoffrey Berman, noted, “The defendant, a registered sex offender, is not reformed, he is not chastened, he is not repentant.” Well, when you are famous they let you do anything. (Who said that?) Money does not talk, it fairly shrieks until it has its way.

Why is that allowed in the land of the free and the home of the brave?

Oh, right, money.

EMPTY/FULL

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“Spot” is a mostly-wild rabbit. The truly wild rabbits do not have a white spot on their heads and would never have come into the yard to eat montbrecia in the middle of the day.

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Two of the ravens. Two more are out of the hot in a snag, one was on the sand.

We saw five ravens during our walk the other day. The raven pair have been as successful raising their brood as the eagles. We are less confident about our bats. Two were living under the eaves and we waited before going out early one morning until the sky brightened enough to send them home. Since then, fireworks. Every night. Mostly we love summer as much as everyone, but fireworks. However, the out-of-state party that was blowing sparks right over our head the other night, might have left. We hope they are gone. We hope so, but we are resigned to one more night of explosions keeping us awake past 10.

We need our sleep.

IMG_4548We moved furniture back into the living room and for a few days, it was lovely on the newly varnished floor. Clear space, less furniture. But we are not done varnishing floors. Almost immediately, we started shifting to prepare for the next step. The coffee maker is on top of the dryer. The microwave is around the corner. We just now finished moving everything else out of the kitchen and dining room except the fridge (we’re saving that for tomorrow).

I store pantry items in glass jars. Coconut and dried garbanzos and five organic cooking oils—all of that. Most of those nine shelves are lined up on the floor of a bedroom. We managed to slide the huge bookcase that housed the pantry into the hall. The round dining table, pie safe, and a bookcase are in the living room. So is the Kitchen Queen and what was kept in those pieces of furniture now on tables and in cartons. A drawer of candles on the sofa.

It has only just occurred to me that since I am retired, I will never again need the serving pieces for chocolate pots de creme and sparkling cider served to my students. I do not need to save them or store them and, along with a great many other things, including my grandmothers’ crystal, I will be letting them go.

In the mean time, Gary is scrubbing the floor and I cannot find the paint to finish painting into the corner I could not quite cut into when all the furniture was in place. There are still too many books. Too much of everything. We will never burn all these candles. Chaos.

So what else is new?

 

Communal

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Tide pool photo taken from south of the Cape. A sliver of the arch is visible.

Last evening we were upstairs when we saw a couple sitting at our beach fire. (It was dying but we were keeping an eye on it, and suddenly it was back in flames.) We joined them on the sand and shared a lovely time. They were astounded by the fireworks—in Colorado, it would never be allowed. Several times they expressed amazement at how uncrowded the beach was, while we were alarmed because there was such a mass of beach fires and people. This morning, it is clear most took away their things, leaving the beach bare again. There will be firework litter, but there is always firework litter.

It was pleasant having people to talk to yesterday. Sometimes I think we are too isolated. We often go days without a lengthy face-to-face conversation with anyone but one another. (And I will always miss teaching.)

Jessica and Craig told us how they met, how they came to live in Denver. Craig talked about a poet-friend, so I went looking later and found his friend’s poetry. Here is one from Young Ravens Literary Review. I post it here without permission.

by Matthew Burns

The Sharp Air

 

The river I don’t know

rumples over its rocks

and carries anything

that falls in—silt and brush,

a tumbleweed blown

from ten miles away.

 

The river, clear and silent.

When I crouch at its trembling lip

or pitch the rare flat stone across its skin,

I am looking for something

to carry me, not away but up.

 

Like the chickadee’s call to its mate

that goes bay-bee and bay-bee 

until she calls back with same

and they go on beside the river

so the water carries this, too, away;

so that it unwinds and eddies,

like the silt of missing,

into the air; the sharp air,

carrying everything it can hold.

Matthew Burns teaches writing and literature in upstate New York and is currently a poetry editor at Heron Tree. His poem “Rhubarb” won a James Hearst Poetry Prize from North American Review; other poems have received Pushcart and Best of the Net nominations and have appeared or are forthcoming in Posit, ellipsis…, The Raleigh Review, Camas, Spoon River Poetry Review, anderbo, Quiddity, Heron Tree, LimeHawk, and others.

It was an astonishing point of connection in retrospect. I had a poem in North American Review a few years ago. Look up “Rhubarb.” Brilliant. Though I pull the stalks and never cut them.

4th of JULY

JUMP

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Dozens of pelicans have moved on and offshore lately. They are a grand sight.

Friday evening we drove south to the Farmers Market. We found it in a new venue, a much larger space than where it used to crowd out a small parking lot and spill into the street. We were somewhat dismayed to learn that this is their third year in the “new” location. How did we miss that? Our favorite stop was the falafel truck, and we stopped going when they retired and Fridays began to seem like a better time to stay home.

The coast is booming, though not [yet] literally.

On Saturday we braved traffic again to head in the opposite direction for the memorial of a man I did not know well at all. I know his wife, a woman who always did her best for students and was kind and patient with me too. Both were generous in their lives, their hearts and actions, personally and in the world. I liked singing and the stories. We attended mostly for the wife’s sake, but it was clear from words spoken, the kindness and humor, that missing the friendship of this man was our loss.

Sunday we again drove south to celebrate another passage. One of our favorite book stores is passing into new hands, allowing new possibilities for the store’s founder. She seems excited, and we wished her well.

I made my fifth batch of jam for the year—funny, since I almost never use it myself—and I bottled 48 ounces of strawberry shrub, which I like well watered down with sparkling soda. It’s a new pleasure for me.

My novel about recovery from grief begins with terrible loss, made stunning because of guilt and self-recrimination, lost opportunities to make wiser choices, to share, express love, and admit failure. My central character manages to move on, though she recognizes that healing is a myth. She finds a new life, just as everyone around her suggests she should.

My mother died a dozen years ago today. I miss her still.

Human attention is drawn to the new, but we feel safety in stability.

Nevermind. Change shifts the ground under our feet, rescues us from safety and complacency. Sometimes when we move on, we have no choice. We stumble, we fall, we wail and resist. Love, passion, need, opportunity. Here it is under our feet.

Jump.


Fireworks are illegal on Oregon beaches. That has not stopped anyone up to now. When we first moved to my family home forty years ago, we saw only little stuff, legal fireworks. Then in the 80s a neighbor (a trained fireworks person who worked on the Vancouver WA display—then the largest in the nation) would put on a display the night before or after the 4th, and this drew such a large crowd that after a few years he quit. He believed the crowds made his display unsafe. Unfortunately, people had a taste for it, and lately people buy loads of illegal fireworks. Some years it is completely insane, smoke like a war zone, thousands of dollars exploding all up and down the beach. The floating lanterns are the scariest because there is not telling where they will land. Fireworks cause distress to pets and people (especially veterans who served in combat), wild life, and sleep. They leave a nasty litter of chemicals and plastic onshore.

However, so far, this year seems pretty tame. I’ve heard some small firecrackers, the handful of booms the other day, and that’s been it. I hope people are more aware of the fire danger. A couple of acres burned up on the cape a couple of weeks ago. It was likely campers. I’d like to believe that fireworks are losing some of their appeal for many people, and then fire danger is very real. We have had horrific fires in Oregon over the past few years. And California.

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We found a stranded starfish drying on the sand. Since it was still alive, we carried it back to a shady tide pool. It immediately clamped on—as immediate as a starfish can be.

The weather is perfect, a hundred yards of sand out in front of our house and low tide at 8:30 for the night of the 4th. If the big guns come out, at least there is plenty of room for them to set things off well away from trees and homes.

LESS HARM THAN GOOD

Susanna and the Elders, 1610, the first known work by Artemisia Gentileschi – Web Gallery of Art:   Public Domain

It might seem a modest ambition: to make less harm than good. Some will find it wholly inadequate. How can accomplishment come from merely doing less harm than good? I wonder myself sometimes. Progress is inadequately counted by dollars. Accomplishment is so often measured in influence, in having our way, in strength over others. Humility is not much appreciated these days. Assertiveness is attractive, and I have been assertive in my day, goodness knows. Goodness used to be measured in other ways, yet some days I aspire to modesty of effect. The desire to leave light prints upon the earth, to dance away without selfish pride, rest without sloth, find joy without avarice, change without harm, accomplishment without making losers of others. Not quite the deadly sins or heavenly virtues, but closer there. Closer to virtue.


This month is Camp NaNo and my commitment is to the modest goal of writing 31 hours in 31 days. Of three possible possible projects—summarize the novel, complete the post-apocalyptic story, write the textbook on teaching writing—the textbook seems to be my focus.

There is a story that George Eliot wrote Silas Marner while avoiding work on the much longer novel Romola. Romola was hailed in her day as a masterpiece, though few read it today. It is based, I believe, on the life of the painter Artemesia Gentileschi. I have read three books about her. I have read Silas Marner three times. I have not yet managed to complete Romola. Wikipedia claims the novel “was based on the life of the Italian priest Girolamo Savonarola.” Perhaps.

According to Wikipedia: “Contemporary and modern critics have questioned the likelihood of the level of scholarship attributed to women such as Romola in Renaissance Italy,” but Gentileschi became an accomplished and celebrated painter at a time when women were not allowed to paint, in the seventeenth century.  She was “an Italian Baroque painter, today considered one of the most accomplished painters in the generation following that of Caravaggio. In an era when female painters were not easily accepted by the artistic community or patrons, she was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had international clientele.” Though I personally admire her life more than any paintings from that period, I am always surprised and annoyed to read the painter discussed as if her life and not her painting mattered most.

Eliot lived in Italy, would have seen Gentileschi’s work, perhaps have heard the dramatic story of her rape and revenge through painting religious subjects, placing her violator’s head under Judith’s dagger. She asserted herself in a period when women were expected to remain in the background. She was educated. She was strong.

The connection between Eliot’s fictional character and this historical woman seems to me irrefutable, though I have not completed the research to know if I am correct, to argue my thesis as I should. There was a time when I considered pursuing a PhD. This would certainly have been my thesis topic.

In another life, I might have done that.  Does anyone in their late 60s pursue a degree in order to prove a point? Pause. Remind myself of humility. [And, as I now understand from reading Romola, I would be incorrect.]

Ben Ferencz is the last Nuremberg prosecutor alive: “War makes murderers of decent people. All wars and all people.”

Benjamin Ferencz

 

On Christmas 1945, Ferencz was honorably discharged from the Army with the rank of Sergeant. He returned to New York, but was recruited only a few weeks later to participate as a prosecutor in the Subsequent Nuremberg Trials in the legal team of Telford Taylor. Taylor appointed him Chief Prosecutor in the Einsatzgruppen Case—Ferencz’s first case. All of the 22 men on trial were convicted; 13 of them received death sentences, of which four were eventually carried out.

In a 2005 interview for The Washington Post, Ferencz revealed some of his activities during his period in Germany by way of showing how different military legal norms were at the time:

Someone who was not there could never really grasp how unreal the situation was … I once saw DPs beat an SS man and then strap him to the steel gurney of a crematorium. They slid him in the oven, turned on the heat and took him back out. Beat him again, and put him back in until he was burnt alive. I did nothing to stop it. I suppose I could have brandished my weapon or shot in the air, but I was not inclined to do so. Does that make me an accomplice to murder?
You know how I got witness statements? I’d go into a village where, say, an American pilot had parachuted and been beaten to death and line everyone one up against the wall. Then I’d say, “Anyone who lies will be shot on the spot.” It never occurred to me that statements taken under duress would be invalid.

Ferencz stayed in Germany after the Nuremberg Trials, together with his wife Gertrude, whom he had married in New York on March 31, 1946. Together with Kurt May and others, he participated in the setup of reparation and rehabilitation programs for the victims of persecutions by the Nazis, and also had a part in the negotiations that led to the Reparations Agreement between Israel and West Germany signed on September 10, 1952 and the first German Restitution Law in 1953. In 1956, the family—they had four children by then—returned to the U.S., where Ferencz entered private law practice as a partner of Telford Taylor.—Wikipedia

GRAND CANYON

Dawn on the S rim of the Grand Canyon (8645178272).jpg

There is a scene early in Grand Canyon (1991) where the car of an immigration lawyer, Mack (played by Kevin Klein) dies in a neighborhood he doesn’t know. He calls for a tow, but in the meantime a group of young men begin harassing him. Danny Glover’s character, Simon, shows up and calmly begins his job, asking about the car, hooking it up to his truck. Then he takes aside Rocstar, the leader of the young men. “Am I talking to the right man?” Skip ahead in the video to about minute 4 to find the scene. The really good part begins with Simon saying, “Man . . .”

Simon : I’ve gotta ask you for a favor. Let me go my way here. This truck’s my responsibility, and now that the car’s hooked up to it, it’s my responsibility too.

Rocstar : Do you think I’m stupid? Just answer that question first.

Simon : Look, I don’t know nothing about you; you don’t know nothing about me. I don’t know if you’re stupid, or some kind of genius. All I know is that I need to get out of here, and you got the gun. So I’m asking you, for the second time, let me go my way here.

Rocstar : I’m gonna grant you that favor, and I’m gonna expect you to remember it if we ever meet again. But tell me this, are you asking me as a sign of respect, or are you asking because I’ve got the gun?

Simon : Man, the world ain’t supposed to work like this. I mean, maybe you don’t know that yet. I’m supposed to be able to do my job without having to ask you if I can. That dude is supposed to be able to wait with his car without you ripping him off. Everything is supposed to be different than it is.

Rocstar : So what’s your answer?

Simon : You ain’t got the gun, we ain’t having this conversation.

Rocstar : That’s what I thought: no gun, no respect. That’s why I always got the gun.

It’s a great film, truly, but if you haven’t ever watched it or haven’t watched it recently, you might assume the story is dated. Stop for a moment, and consider the metaphor working here. [Or better, consider it an analogy, and also be sure to read the first comment below.] A weak person demands respect. Imagine Kim Jong Un is playing the part of Rocstar. A weak actor in a powerful world, striding to bully his way into respect.  His position on the world stage makes more sense. [It’s far from moral, but understandable.]

That works, doesn’t it?

Now go the next step. Trump as Rocstar, accustomed to having what he wants by pushing others around? Maybe, except like Kim Jong Un he’s never had to reach for power, it has always belonged to him, a self-promoting, entitled person from the day he was born.

Try this: Maybe see how the concept of leverage and threats plays out with the abuse of any power, with the assumption that a right to act is automatic when there is the capacity to act. I can, therefore I should?

Surely not.

The way I see the lesson: The world is not supposed to work this way. Power is not supposed to trump liberty and justice for all. We are supposed to be better than that. Because we have the strength does not mean it’s moral to bully others. Just because we can.

Or, as my husband likes to joke: Didn’t you ever go to Sunday school? Or Temple, or the Mosque, or to your room for failing to listen to your parents explain why you should be forgiving and kind to others.

Surely someone taught us better?

I hear the voices saying, no, they didn’t. Some people do not operate that way and that’s why the rest of us cannot either. I think we might be wrong there too. We were all taught to behave ethically, only some of us find that inconvenient. Some of us did not listen at all. Some of us even believe our reasons or excuses for our deplorable actions. We get away with things we shouldn’t and then decide that getting away with evil makes it okay.

Getting away with it does not make it right.

The Grand Canyon is bigger than we are, grander in every way. Grand beyond our capacity to comprehend. It was born long before we were and should live long after we are gone. It should humble us, engulf our egos, and allow us to regain perspective.

MOM at the BEACH

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My mother was named “Fay” for her mother’s first name and “Gordon” for her father. Born in 1925, she died in 2007. She and her sister spent all the summers of their childhood at the beach house, which my grandfather rebuilt and retired to in the 40s. Mom said she and her sister cried when electricity reached the beach house. 

In later years, my mother Fay Gordon would not recall carrying water for the cabin as a child, though surely she must have done this. The beach house had no utilities at all. Her mother, my grandmother Fay, cooked on a wood stove and heated water for weekly baths. The outhouse hung over the swampy next-door lot, and light for reading after the sun went down came from oil lamps. A marvelous, imperfect vacation all summer long. Paradise for children. 

Fay Gordon and her sister cleaned sooty glass oil lamp chimneys on Tuesdays. That was the only chore she spoke of. Perhaps the chore was lightened because the girls did it together as they did so many things together in the summers on the Pacific shore. They dug clams and used a long-handled rake to gather crabs for supper, but never ate the mussels. She had never eaten the wild salal berries either, fearing they were poisonous. Never gathered salmon berries or thimbleberries. Their choices were simple ones. Children pretended the sand was poison, arms held out, balancing barefoot on drift logs. The daily milk wagon, long walks to Neahkahnie Mountain for picnics and to pick huckleberries or a ride north for roller skating in Cannon Beach. She and her sister played all day, sometimes in company of cousins, and their mother cleaned and cooked. 

Her mother never complained about being stuck miles beyond the nearest road for three months each year. Cousins filled the upstairs dorm for weeks at a time. She sighed over her in-laws’ reimbursement for toilet paper, but dutifully collected the supplies they would need between Memorial Day and Labor Day. All carted from Portland to the beach house in June. She and the children first arrived by car or on the train as far as Seaside and then the long ride along the shore at low tide, the tight squeeze around Hug Point, the house opened from a long off-season. Mice had nested in the attic. Fay Gordon remembered painting the trim each year, or that it was painted each year a color she called “Chinese red,” bright red-orange. Surely she was not trusted at four years of age or seven or even twelve years with a bristle brush and oil-based enamel paint.


My grandmother baked and canned, cleaned, and did laundry in tubs by hand, even in the city. No servant like in the movies, just Fay, barely five feet tall, who was compelled at sixteen to decline the Reed College scholarship in order to help support her family. She had always worked hard. Once learning Latin and poetry and piano, then in a shipping office, and finally women’s work as a wife. 

It was only much later in her life that it occurred to Fay Gordon how these summers might have been difficult for my grandmother. Perhaps my mother’s idyllic barely-supervised summers were not easy for her own mother. Salt-stained clothing and baths and cooking and dishes for just herself and her daughters and often for another three or seven children, without running water or electricity.

“My poor mother,” my mother would say when she was old herself. “What a lot of work.”

But I wonder. Children off playing outdoors was likely a relief. Fay Gordon and her sister were stuck on a seastack when they failed to notice the rising water and had to wait out the tide. They came to no harm. Their dog chased up and down the beach until it caught the seagull and promptly let it go. No poisonous snakes or insects. No broken bones. No recollections of illness. Sand castles. Beach fires. The ocean’s roar. Freedom for their mother too?

My grandmother had summer to herself as well. Despite the labor, perhaps she spent hours each day beach combing, lying back on the sand under a canvas shade, reading. 

I like to think of my grandmother Fay enjoying her summer free of social duties and husbandly demands. My grandfather was known to be demanding. My grandmother was known to be kind. I like to think of her kneading her four loaves of Thursday bread as later would my mother when I was small, baking a pie with wild huckleberries, soaking clothing and hanging it to dry. Maybe even the work was pleasant when there was no one to insist it be perfect. Maybe the work was simple, satisfying, and like the weather, sweet. Lovely summers.

Even so, someone carried water from the creek.