
The Brahma Teapot with the lid off and tipped back to show the bull. I made an entire teaset (the goldsmith who commissioned it did not want anything representational) and dozens of mugs in this style back in the day. The clay looks like porcelain, but is only a low-fire white clay. The patterns are underglaze and protected by clear fired glaze.
Back when I was an art student, I thought I might earn money, if not actually a living, from my art. I envisioned a dramatic difference in my life compared to how I was raised.
I was first a Ceramic Art major at the University of Washington. In the clay side of the Fire Arts Building, we were divided into throwers and handbuilders. I was a handbuilder and our work was primarily sculptural art. It was gallery stuff and I did eventually exhibit in galleries and museums (Bellevue Art Museum and Tacoma Art Museum), but selling was what throwers did because they were in to “production.” That is, they made many of a single shape and sold bowls and mugs and so forth. The year of the first University Street Fair in 1970, I had still been in high school, but I sold handbuilt work. I did that again after I had studio space in the Fire Arts Building, in 1972 perhaps. I took over firing the Skutt kilns with everyone’s work, and completed dozens of handbuilt mugs for sale. A year or so later I juried in to the Bellevue Art Fair. I handbuilt entirely different mugs, dozens of mugs in the style above, and I was disappointment when a friend came along with her ceramic-handled flatware and sold more than I did. I mean: crushed with envy, destroyed. Of course, she is still making a living with her art, so she had the better instincts even then.
Long story short? Selling my work became a painful experience. I gave work away. I traded a teaset for a stunning 8″ gold stickpin. I completed two other pieces on commission and was shafted one of those times. I should focus on success, but I wanted then (and still today) to be the best or not at all. Selling, despite my day job in retail, remained a frustrating and unsuccessful experience, a reflection of failure, inadequacy, foolish hope.
But here I am, weaving shawls for sale. A stack of three quilts, unpriced but intended for sale. And my stories too.
I was still almost young when I began writing seriously. I had a fantasy of selling my first novel and making enough money to create that coveted dramatic change in my fortunes. I would quit teaching and write full time. I would pay off my mortgage. I had the same fantasy about the second (also unpublished) novel.
The first time I made actual money from a story was just a couple of years ago with “If It Were True Owls Dream” which was a fantasy story. My first fantasy and first cents-per-word payment. It made me laugh. I did not need the money as I felt I had and no longer had delusions about fame and fortune. By then I was beginning to wonder about how to construct a story where (nearly?) all sources of conflict were absent. And I thought that perhaps I could make some money selling SF/fantasy. Maybe. Or not. Did it matter?
But then Trump and covid19 and rejection from publishers. I send essays off to Dinty Moore and he is kind enough to publish them in the Brevity blog. Mostly recently I wrote an essay about the creativity we will find after much of what we assumed was true about the world, how things work, and ourselves is unraveled. That essay goes live next month. Does anyone think this will be over next month? Convince me.
And then I decided to serialize some of the story that has consumed my writerly imagination for a long time, years. That is why bits of “Butterfly Fontanelle” showed up here. A little at a time goes up as I work through the only draft I could find on this computer. There is a 37k word version someplace, I think. I am working from the fourteen thousand word version. It’s growing a bit. Each day I work on it, I am a little bit surprised at what is happening. I am trusting that by the time I put up the 15th or 18th installment, it will end properly, that it will have gone someplace. I honestly cannot recall how this one ends. Not for sure. Maybe. We’ll all find out together.
And I have retired from teaching. The mortgage is paid. And here is a dramatic change to my life.