WHEN TO GIVE UP

I began writing fiction in 1990 as a result of a week-long summer class for teachers teaching writing. I had three art degrees and had taught art at an elite prep school but had been hired to teach English and Yearbook at the local public high school. On paper I was not remotely qualified for that position teaching English. The department chair urged me to apply because I’d subbed for her and she said i was better read that she was.

Over that long-ago summer of 1990 I prepared by passing the NTE exam, which granted me certification and taking graduate classes in English, writing, and computers. A writing-for-teachers class with Sandra Dorr offered assignments we might then use with our students. I did go on to use what Sandy suggested. Also, at the end of that intensive week, I went home and wrote my first short story, “Baptism.” Eventually, that story was published in Stringtown. I was teaching English part time to high school juniors and made it my policy from the beginning to write everything I asked my students to write. I stood by that policy for the next 25 years, despite a colleague telling me it was “ridiculous.” I’ve been a strong writer since I was a girl, but essays and poetry, not stories. That changed.

The gulls often rest onshore near Asbury Creek just up the beach from us. I don’t know why there were a thousand or more the other day. We are careful not to disturb them.

In the 1990s I began writing with a student over the summer. We met weekly to share progress and intended to each write a novella. But before mid-summer, it was clear we were writing full length novels. Hers was better than mine, and today Rebecca Olson is a tenured professor with many publications including two books. I am proud that two other former students have MFA degrees.

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TIRED

Twenty-twenty-four was a great year for finding my way in editing and understanding my own work on the page.

A story, two reviews, and a novel found homes. All of them needed revision after acceptance. It’s the way things work in publishing. I revised. I will be asked to approve edits on that short story. I’ll manage.

Seven drafts of the novel alone. I am so very tired of revision that I wrote in my secret revised 2025 Resolutions not to write or work on any fiction this entire year. Nothing. Make a quilt or knit a sweater or weave, I promised. Do all those things. Blog. Send emails. No work on fiction. Don’t try to revise anything old. Don’t look for anything new to write. No fiction for the duration! Just a month before, my goal had been to complete a new and polished draft of A SINGLE FACT, and now I can’t bear to think of doing that.

This is what I should be working on: something with these glorious greens and violets, or the Coral Sea warp, or the pink-striped sweater…
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GIFTING & NaNo

A month and three days since my fall and everything seems to be functioning. No coffee since mid-October. sigh I cut back on salt. Cut wine from 30 glasses/ month to 2. I did not stop running after the Bridge Crossing—ran yesterday on schedule. I am typing without pain on my new Mac. I am hoping to find an actual doctor in Portland. The crows are flocking in our eastern view from the condo. I have resisted ordering yarn on sale or fabric from Liberty of London. I have enough. And November was National Novel Writing Month.

The sky, the sky, and the sky.
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WHAT I DO WITH MY LIFE

At this point, what I did: I learned how to do things. I had experiences. Some sad. Some pure glory.

…and future plans.

Two things happening in this photo. The basalt poking through the sand was covered over with sand all summer. The tide has been dragging sand offshore, but strong onshore wind has also blown sand in so there is still “plenty of beach” for me to run. The black streaks are something less natural, petroleum from some unknown source, likely a passing ship [illegally] emptied its bilge or a local leaking oil tank. We’ve been seeing increasing pollution onshore for the last few years, though decades ago my young sons once came out of a tide pool with huge blots of black oil on their little-boy legs and bellies.
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AWP & writing and courage

A review of my writing and plans for April. No kidding.

“Vogue Philippines released its April issue on Friday and its newest cover model is an 106-year-old indigenous Kalinga woman, Apo Whang-Od, also known as Maria Oggay.” It would have been more impressive (on the part of Vogue) if this had been the cover of the US edition.

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ALL THE DAUGHTERS SING

At least five years ago, I typed out the first draft of a story in which nearly all moveable life on earth had died. It was too long and when I tried to cut it back to below five thousand words… it got longer. Then it became a novella with over twenty thousand words. I managed to shave a couple of thousand words. The next draft, completed during National Novel Writing Month in November 2021 (whoops, during 2018!), was a full length novel. (NaNo requires 50k but I wrote over 75k.)

Terrible things are happening. I am not unaware, but today, only the wonderful-in-a-good-way news. I have reasons to feel amazed at my good fortune.

We both looked at this sky and felt amazed—it was more impressive in person, of course, but that plume of cloud over Castle Rock!
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EDITING & BREAD

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This first challah is light and tender, soft, finer grained than this photo shows. I used some bread flour (“strong flour”) and no whole wheat, but I think I miss the wheat flavor.

I suppose this means I should complete my editing before posting.

On 8 February 2019, I found I had 100 followers. That makes my day. Seriously. This is true especially because I wrote about common-sense self care as part of countering depression. Every time I have tried to post anywhere about depression, I’ve been attacked. People who were friends and generally seemed to like me, went off on my comments have apologized for using language in response to my post. “You don’t know anything about depression . . .”

The thing is, I do know about depression. I am not as self-assured as some people seem to assume. I know depression. I won’t describe details here, but I have been depressed and I have a strong thread of serious depression and anxiety disorders in my family. Maybe I cover it better than most? Maybe I was told I should smile about a thousand times when I was six and I acted on that suggestion.

In any event, I am not writing a memoir, but a blog. I am not telling the story of my childhood here today. I write about myself too often as it is.

Most often I write as often in direct response to something in the news as to anything happening in my life. Friday I played Scrabble with a friend and in the afternoon I had challah rising. I used to make a huge braided loaf each week, but it’s been decades since I did that. Most of my life has passed with only occasional loaves cooling on the counter.

Baking bread each week was one of the things I swore to do now that I am mostly retired. And challah—in a dead tie with brioche for best bread in the world. (For now we can set aside cinnamon buns and panettoni, which are sweet breads rather than bread loaves.)

So the bread was in its first rise. I’d have taken a nap if it hadn’t needed to be punched down and shaped in about 10 minutes. I recall three rises (or proofing a sponge and then proofing twice, which is the same thing) before shaping, but fingers crossed. That first attempt on Friday would have only two rises, one in the bowl and the second as a braided loaf. Most of the kneading was done with a dough hook by my electric mixer.

I first learned to make bread from my mother who had a recipe for four loaves, lost now. [There was a typo here. I noticed it and fixed it five minutes after I posted. sigh] Though she never enjoyed cooking or baking, her loaves were marvelous. In college, I made whole wheat bread in a very large crockery bowl, stirring by hand with a wooden spoon (I broke a spoon one time) until I turned it out onto a board to knead. I quite liked kneading; it reminded me of wedging clay and as a Ceramic Arts major I had a lot of experience wedging clay.

My first job in Oregon was in the old Cannon Beach Bakery, which baked the “Haystack Loaf” in a brick oven, one of the last remaining fired brick ovens in the state and gone now. Harrison’s Bakery in Seaside, with its marvelous “Beach Bread” is gone too.

My old recipe for challah is also long gone. There were 7 cups of flour and 6-8 eggs and butter and honey and cardamom, as best I can recall. It made an enormous loaf, almost too big for my tiny apartment oven. I wish I had my old recipe, the one I used in college 45 years ago. I thought it came from the Tassajara Bread Book, the source of my ordinary whole wheat recipe, but I’ve looked and there is no recipe for challah. Challah is not supposed to have lemon peel, but I recall I put it in anyway and I will today too. None of the recipes I found online were quite right in other ways—not enough eggs, sugar instead of or in addition to honey, and oil rather than butter—so I used my best guess, and when I make bread again today, I will make any necessary adjustments. I used oil the first time.

“Like thousands of cooks of my generation, I have in my kitchen an ancient volume of The Tassajara Bread Book, its cover gritty with flour, its spine cracked from use, its pages stained with molasses, and dog-eared with decades of perusal. It is the book that taught me how to make bread and its simple wisdom has been present in every loaf I have baked. I will recommend it with enthusiasm to a new generation of cooks.” —Steve Raichlen, author of The Barbeque Bible

That’s the book. Sometimes, back in college, I made a loaf in two layers, a three-strand on top of a six, but I generally made a 4-strand braid, and that is what I did on Friday. It had a rest and second rise while I was writing this. When I took a break from writing, I preheated the oven, mixed an egg yolk and honey wash, brushed it, scattered sesame seeds, and baked for however long it took. Recipes I found recommended temperatures from 325° to 425° and times from 20 minutes to the better part of an hour. I aimed for someplace in the middle, and 25 minutes in a 350° oven seems to have done the trick. Maybe I was writing in between baking bread and not the other way around?

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The first rise was in a bowl, the loaf shaped and allowed to rise again. Here is my 4-strand braided loaf ready for baking.

I have a couple of dozen blog posts drafts saved that I will never finish. I begin posts and never go back to them. But after I’ve posted, I do always go back. I correct typos, add a link or another photo. Sometimes I correct information or even add an entirely new paragraph. With so many people reading (I hope), it’s about time I corrected typos before posting, don’t you think?

There is a second baking scheduled today after our walk, and I want to celebrate. Over a hundred people have chosen to receive my posts. That is worth celebrating. It also reminds me of that bad habit I need to change. I write fast and post, and almost immediately people receive my blog post as an email. I am grateful when they “like” my post because that gives me a sense of the success of what I have written.

Finding those “likes” on my posts is something like my husband asking for a third and fourth slice of bread, fresh out of the oven. Except I get to see him smile.