WINNING OMELAS

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In good company: brilliant Bette Husted, me, and magnificent Molly Gloss. [Cheesy, perhaps, but such excellent cheese.]

“Those who build walls are their own prisoners. I’m going to go fulfill my proper function in the social organism. I’m going to go unbuild walls.”

— Ursula K. Le Guin, From The Dispossessed

The review of a book about mental illness in the Brevity blog this morning reminds me about American obsession with competition and our “country concerned with triumph.”

I have been thinking a great deal about gaming and about competition, the basis for survival according to most these days. Winning is everything. I saw it in education, the work of my yearbooks staff that created groundbreaking design and content, but only received notice when I shared a “win.” Those certificates for cover design and deadlines never meant as much to me as the students who found work based directly on skills learned in class. We were not in competition, we only wanted a good book at the end of the year. By “good” we meant a distinctive, complete and compelling record of the year that we’d managed to pay for. No one had to lose in order for us to “win.”

That’s not how we look at things, is it? For there to be a winner there must be losers, the more losers, the bigger the win. It is the most essential understanding and assumption of how the world works.

People making a great deal of money believe they are winning and thus are superior to those of us who are not. We have accepted dollars as the mediator for morality. That and being white seem to be the only focus for our current nation’s executive branch.

I am thinking about this especially because of “The One Who Walk Away from Omelas” by Ursula K. Le Guin. (First published in 1973, it won the Hugo for short fiction in 1974 and is collected in The Wind’s Twelve Quarters in 1975.) We spent the weekend participating in the final act of a yearlong tribute to Le Guin. Many people referenced her most famous story, the perfect joy of a utopian society “a shimmering city of unbelievable happiness and delight” held aloft by a single suffering child locked in a cellar. “The terms are strict and absolute; there may not even be a kind word spoken to the child.”

In the biographical film presented Saturday, students offered three solutions, one beyond what Le Guin herself seems to suggest. One would tolerate the injustice for the child for the sake of paradise, another would fight to free the suffering child, and the third would walk away. In Le Guin’s thought experiment no one chooses to free the child in Omelas, they accept the inevitability of the child’s suffering, and a few walk away as unwilling to participate in such a society. The story demands we consider the moral option, that we choose. “The place [those who leave] go towards is a place even less imaginable to most of us than the city of happiness. I cannot describe it at all. It is possible it does not exist. But they seem to know where they are going, the ones who walk away from Omelas.”

I have taught the story many times. My students, like the students in the documentary, like every adult I know, see the three options. Most will claim that they will walk away. That is presented the most moral choice.

“The only winning move is not to play.”

War Games

My own view of Le Guin’s story is somewhat different. The story begins with Le Guin offering the reader utopia, perfect joy and celebration, conceding trains and drooz “as well as exciting the pleasure of sex beyond all belief; and it is not habit-forming. For more modest tastes I think there ought to be beer. What else, what else belongs in the joyous city? The sense of victory, surely, the celebration of courage. But as we did without clergy, let us do without soldiers. The joy built upon successful slaughter is not the right kind of joy; it will not do; it is fearful and it is trivial.”

Perfection.

And yet she questions the reader mid-story: “Do you believe? Do you accept the festival, the city, the joy? No? Then let me describe one more thing.” And it is here she introduces payment for perfection.

The child suffering is necessary for the perfections of this city.

And then she asks: “Now do you believe them? Are they not more credible?”

She knows that we demand payment, that we assume there must be pain as some sort of balance to pleasure, that sorrow inevitably balances joy, that evil must balance good.

Once we are given the balance of pain for pleasure, we believe absolutely. Le Guin know this. Within the context of her thought experiment even Le Guin herself insists that someone must pay for our happiness, that there must be losers if we are to win.

No.

Despite my own superstitious belief in a balance, I have not found that this is true. Driving away from Fishtrap, I thought a great deal about the story of Job. For decades I detested that story of God proving to the evil angel that his “good servant Job” would be faithful despite hardship. Why did God need to prove anything?

It has only been later in life that I understood that the story of Job does not exist to prove anything to anyone within the story. It exists to demonstrate to me, the reader, that terrible error of assuming balance. Though God returns all of Job’s lost fortune seven-fold, restoring the previous life, it is not the point of the story. There is no win, no lose in life that represents moral justice. We cannot expect overt success to represent spiritual triumph.

There is no battle raging between good and evil with the winner proved righteous. Thousands of years ago, scripture impressed that truth upon us. Winning is not virtue. It is belief, not truth, not a factual representation of the world I live in. In fact, terrible things happen to good people, and evil people become president of the United States.

Those who live deplorable lives are not made to inevitably suffer in their lives. People who are good do not necessarily achieve a good life. People who are kind and generous and deserving of long life and happiness often do not achieve fraction of what goodness should balance the sorrow in their lives.

I have been supremely fortunate in my life, I know this despite some ordinary grief and disappointment, occasional despair and sorrow. My life, I might want to say, is “blessed.” But I am not in competition. No one lost to give me joy and my “win” is not deserved. As a thought experiment, “Omelas” is an extraordinary gift, but its message is more complicated than how I choose to respond to injustice.

No. And again, no. I know there is no perfection, but I do not believe my joy must be taken at the expense of anyone’s sorrow. I do not accept that a child must suffer in the basement.

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Molly was right: Gary photographed our feet first.

FINDING TIME

Photo by Steve Larson

People ask me all the time, even now as I climb the stiff ascent to seventy: Where do you find the time? 

This morning, my husband and I were up and dressed and out the door by five to listen to the dawn chorus from the deck of the lodge. We are in Wallowa Lake for Fishtrap, a writers’ gathering. (The photo above is borrowed. The grass is greener and there is a tent for outdoor events. At right you can see the leaning tree. Yes, it is still there, Ann.)

8519949156_34edb2f18a_o.jpgSo far I have seen people I recognize, but no one I actually know. Yesterday we sat in the beautiful great room of Wallowa Lake Lodge (opened in 1923). We walked across the street for dinner. We walked through Canada goose poo to admire the river pouring into the lake. I watched clouds pass over head, the nearer moving east, those higher up shifting more slowly south. We have seen an unfamiliar species of ground squirrel and several deer since we arrived yesterday, and I had a pleasant talk with a local woman who was also knitting while her husband and daughter participate. Time passes slowly. I varnished the dining and kitchen floors before we left the house. Being here while “paint dries” is only an excuse. We plan to read and relax and hope to visit with friends.

Even in my twenties I was writing and publishing articles in magazines. In those early post-college years I judged field trials all over the west and learned to cook and had Afghan Hounds. 

In my early thirties, when I had two preschoolers at home, I canned peaches and read books and made quilts and worked part time. In my forties I went back to my work teaching, began taking writing classes, wrote stories and read and knit sweaters, and began running. 

In my fifties I began writing novels and attended workshops and read and made only jam in the summer. I spent a lot of time writing curriculum and grading papers and baking and cooking and making quilts and knitting and weaving and reading a few dozen books each year and writing thousands of words. Marilyn Chin once told me I was the most driven person she knows—this from a writer with six books in print. Molly Gloss sighs that she doesn’t understand why I have not had more success. But these women are sympathetic friends. There is accomplishment and accomplishment. 

Recently I went off Facebook. I do not text. I do not post on Instagram. I have a Pinterest account and it was useful to wean me off magazines, but I spend only minutes there each week. I subscribe to two major newspapers and read through them both plus at least one other international newspaper. I rarely watch the news. Did I mention that my cell phone is not smart? No time spent there. 

I get up early and tend to go to bed early, but like Daylight Saving Time, that only shifts my day around from most people. Early to bed and early to rise does not magically give me more hours in a day. It saves nothing. 

Now in my late sixties I no longer run and have retired from work, and my time is still filled with things to do—both pleasant and onerous tasks I have ignored for decades and now choose. We have always had and enjoyed watching television, but this month we are ending our broadcast and cable subscription. We read the news and go for walks each morning. Even so, I might well wonder how I found the time in my earlier years to get so much done. 

Perhaps it was not so hard. My husband took on his share of housework and childcare. Some things did not get done, usually cleaning and upkeep we neglected in favor of more urgent demands from children or our interests. I learned to be efficient about many things, especially the necessary tasks I do not enjoy, but also the interesting things I do. 

My habits are productive but not notable. I do not have books in print. I do not see family as much as I would like. Vacations were nonexistent for years, and even now are rare. We do not often feel the need to get away. (We live in paradise, after all.) I make many things without selling anything on Etsy. Perhaps, now that I am retired and accomplishing less, people will no longer ask me where I find the time. 

It is there, has been there all along. When I had children running about, I did tasks I could carry about with me, put down when I needed to chase a child, scrubbed the kitchen floor at least once a week, bathed and groomed dogs during the Sunday mornings my husband was always home. There were things I did not do—dressing up and going out to dinner, for example, because it did not matter and I spent my money elsewhere. I have always volunteered but we do not attend charity events. Even now, I think sometimes I should spend a few minutes a day meditating. If it genuinely mattered to me, I think I would find the time. 

What we should find time for is only what matters to us enough that we make the time happen. No magic, no great skill. If we would rather have time for a walk than read Facebook, we can choose to do that. If we would rather read or write a letter or have tea with a friend after work, that is a choice anyone might make. 

I choose how to spend my time, and if I do not, time spends itself.