GOOD & BAD

I should never have mentioned that very popular pop star. It led to frustrating exchanges until I took the post down. Today began with positive covid tests. I am not in the mood.

Ten handwoven wool shawls folded above. I have these ten and six others elsewhere and the ones I use: three blankets and an afghan made by seaming lengths together and the three shawls I use myself—one because it was flawed and (honestly) the other two I just grabbed because they were handy to use on a cold day and they became mine to keep.*
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BARGAINING IRL

Years ago I taught a short story by Michael Cunningham in which a teenager runs through a sliding glass door during a party. (This was before building codes required tempered glass in such doors—a change triggered by a real life incident of a child bleeding out from cuts sustained by running through such a door.) In the story, the boy stands in the middle of broken glass and pulls a shard of glass from his neck. Moments later he bleeds out in the arms of his girlfriend. Every year students would bargain with that: What if he hadn’t pulled out the glass? What if someone had put more pressure on the wound? What if…? Just as in real life, we sometimes bargain with outcomes we cannot bear. Even in fiction.

In Iceland, a monstrous cat, Jólakötturinn, eats people who have failed to provide themselves with new clothing for the New Year. Not to mention the Troll brothers and other monsters. In Finland there is a magical goat character who takes away gifts instead of giving them like Santa Claus. The straw goats in my picture are miniatures of Sweden’s giant straw “Gävlebocken” that has been erected since 1966 and is often burned to the ground. So far, this year, it’s still standing. That 13-meter goat is not a bad being at all and you can see it in real time.
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DISTANCE

Sometimes I lie to myself. For example, I promised myself a short run yesterday morning. I held out a single-mile run like a carrot. When I began running north, I was running straight into a 40mph wind and it was cold. The tide was going out and I repeated, “Just one mile.” I didn’t need to run all the way to what we term the Turnaround Rock, 1.5 miles north. I could stop at the metal stairs near my one-mile marker, turn, and walk a mile home. I was thinking there was a good chance that when I turned toward home the wind would be swinging around and I would still face a headwind. That happens sometimes as the sun rises. So I told myself: You can stop running after a mile.

I ran three miles.*

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SUBMIT

I submitted my “Butterfly Fontanelle” novella to a literary press a couple of days ago. It has remained untouched since January. I had hopes for it when I began four years ago, but then lost faith. Today I reread the beginning of a letter responding to that novella. One of my favorite writers wrote: “I really do love this story! The imagery throughout is gorgeous, and your conception of the Daughters, every detail of their lives, their behavior and appearance, their singing—all of it—feels startlingly original. Amazing, really.” That’s right at the beginning of her comments, and I cannot say how startling it was to read that, to find such words of praise. I knew if I continued to read the letter, I would find her suggestions and questions. I did revise in response, and revise yet again in a further draft. And again. I even tried changing the title. I submitted. Rejection without comment. There is no knowing if I improved the piece and evidence I didn’t, but I think it’s better even if I failed to take it where it needed to go. I did try.

Anyway, I sent it off, my first submission in ten months. I hadn’t intended to submit anywhere ever again. I posted that notice on my publications page and have only been writing here, in my blog, and a few scraps of poetry, or what might become poetry if I had stuck to the page. I haven’t. [“Seat in chair.”]

A lot has happened.

This is one of my favorite photographs I’ve ever taken. In recent years I have used photographs for my winter cards and had them professionally printed, but for a couple of decades before that I designed, drew, and made cards, cutting linoleum blocks or illustrating family dreams for the New Year in pen and ink. Mimi wrote that some of those old cards are part of Janice Gould’s library collection. It fair took my breath. I had only just noticed that of all the art hung in our new condo, there was nothing from me. This year, perhaps I will return to that old custom. Gary thinks so.
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PANDEMIC

Pandemic
   by Lynn Ungar

What if you thought of it
as the Jews consider the Sabbath —
the most sacred of times?
Cease from travel.
Cease from buying and selling.
Give up, just for now,
on trying to make the world
different than it is.
Sing. Pray. Touch only those
to whom you commit your life.
Center down.

And when your body has become still,
reach out with your heart.
Know that we are connected
in ways that are terrifying and beautiful.
(You could hardly deny it now.)
Know that our lives
are in one another’s hands.
(Surely, that has come clear.)
Do not reach out your hands.
Reach out your heart.
Reach out your words.
Reach out all the tendrils
of compassion that move, invisibly,
where we cannot touch.

Promise this world your love —
for better or for worse,
in sickness and in health,
so long as we all shall live.


[Used without permission, and apologies to the author, who lives in Vancouver, Washington. I found this 2020 poem on the OSU website. It went viral last year, but I missed it until now. You can buy her chapbook These Days with this poem on her website via the link.]

But we need books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea within us. That is my belief. 

― Franz Kafka

POETS RESPOND

Yesterday morning the serious rains began and we were both soaked by the time we got home from our walk. Thunder was impressive by the time we went to bed, though we did not often see the lightning.

RATTLE is a poetry journal that emails poetry each morning, including a weekly response to a current event. Today, I received a form poem that made me sit up and feel. What follows is the mother’s explanation of where her words were birthed and a link to the poem.

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EVERYTHING EVERYTHING EVERYTHING

This is the largest “sea nettle” I have ever seen, dwarfing Gary’s size 13 shoes. It was at least 28″ across—Gary said three feet.

We’ve been busy hustling back and forth, walking our 25 miles a week (and me running a few of those), working on our second home, and admiring everything we see.

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WHY WE STAYED HOME

Today is my high school reunion, the 50th delayed to year 51, and it is also my elder son’s 41st birthday. I will be baking a vegan, gluten-free, refined sugar-free cake later today. Our family is coming. They’ve had good reason to stay safe, isolated, and healthy. So that is the best reason for staying home. But there’s also the pandemic, which is the real reason.

We occasionally see crabs stranded by a high wave, especially in late summer. Usually it’s a big Dungeness so far up on the sand that it would bake before the tide came back in. Such crabs requiring two hands to carry back to a tide pool. We got this little guy—about an inch front to back of the body and furious at being noticed— back to a tide pool, and the tide was incoming. It probably lived.
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my COVID report is LOST

This is peculiar. I only noticed today because I wanted to add to it that my page about Covid-19 is entirely gone. Since early last year I kept a diary of deaths and impressions, news stories, recommendations, and quotations concerning Covid-19. During the chaos that ensued when I tried to update my “theme” this entire page went missing. It was a huge page, and it was important to me. I also discovered that both my “home” pages led to a menu, a literal restaurant menu. (Gone now.) There was a third “home” page which I deleted during the initial chaos. I suspect that was my “Covid Diary.”